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    INTENTION

    音楽 関連語 ミトコンドリア 鈴村健一 ガーディアン
    • The Haunted - Made Me Do It
      the haunted - made me do it

    • 中3クラス 今までより1,2倍がんばりなさい
      tom and nancy seem to be happy again after six months of quarreling. what else do you expect me to do?

    • courir le risque de
      vous avez vraiment l'intention de vous exposer au danger de faire banqueroute? vous croyez cette histoire?

    • CHARTER 2 Conceptual Art,the aesthetic and the end(s) of art
      we need objects? one way argue that an extenesional object os merely designated, i.e. it is directly referred to in a fregean context, it is distinct from ‘idea’ and the set of properties which make it up. the ‘mode of presentation’ of that object may be said to subsist somewhere between the concept, if you like, or idea (of it)and its simple designation – its simple picking out, distinguishing from other. it is that which is designated. the mode of presentation, or object constituted in items of mode of presentation is not the object itself in this extensional sense, nor is it anything entirely ‘subjective’ or, if you like, accountable only in a private experiential or ideational domain. in the fregean system one can effectively compare the ‘object’, the ‘mode of presentation’. i associate object and the ideational one with the table, the cube – the cube as a relational entity presented sensorily in a certain way, and the retinal image of each individual spectator. intention as ‘the object in a certain mode of presentation’. for reasons of antipsychologism. frege wanted to make sure that the object, in the extensional sense should neither be confused with its mode of presentation nor the idea of it. in fact, just how straightforward a matter ‘stating the existence of things’ could actually be was the subject of considerable disagreement among those concerned in the conceptual art movement. the most extensive deliberations on the problem involved were those published in the joumal art-language, and they have always been widely regarded as difficult reading. referring back much later to this period, baldwin has written, ‘an artistic practice consisting exclusively in the production of texts seemed to place a world of hitherto unimaginably complex entities within the grasp of the artist.’ but on the other hand, ‘we were also aware that an art composed of idea, or concepts, held intentionally would need to appear in some extended from, even if this was to be textual; and this text would have to have to have some coherence.’ in due course i will retum to the works shown in plates 2.2-2.7, and will give particular consideration to the relationship between two issues skated over in the discussion above: those of definition and of value. first, though, i want to sketch in some general background to the emergence of works such as these at the end of the 1960s, and to offer some reasons for the incursion of language into the domain of the visual arts. 睇。。度我真。想。頭。。死左佢 。。,。。字都唔識多個orz

    • 検証プロファイリング  「集団登校児童列突っ込み症候群」-1
      we should regard this as a case not an accident(これは事故ではなく、事件と考えるべき)!

    • Hursthouse, Moran
      whatever is non-observational in the awareness of one's bodily position must on anscombe's own account have a thoroughly different basis from, for instance, the practical foreknowledge of one's immediate plans, for the basic reason that such bodily awareness, however immediate or independent of particular sensation, remains an instance of speculative knowledge . what is known here is still derived from object known, and the direction of fiis still that of fitting the judgment to the independent facts. even if immediate, and not grounded in observational evidence, the claim that one's knee is bent is still something corrected by the fact of one's straightened leg. hence the immediate knowledge of one's bodily position cannot be an example of what anscombe means by practical knowledge, despite the intimate relation of such awareness to ordinary physical action, and despite the fact that both may be said to have a basis that is in some sense non-observational. (moran, p. 48) しかし実のところ、体。感覚的知識の適合方向が。弁的知識の適合方向だということは、それほど自明なのだろうか

    • ...
      what amused me was that on the part of the cup where they write the order, the initials used for it was gtf . the only letter missing was the o :p

    • メントスとコーラって危険らしいね。
      ―――――――――――――――――――――――――――――――――――――― i'm calling out from scatland 僕はスキャットランドから声をあげる i'm calling out from scatman's world 僕はスキャットマンワールドから呼んでるんだ if you wanna break free you better listen to me もしも君が自由になりたいのなら僕の声を聞くといい you got to learn how to see in your fantasy 君は、君の中の空想の見方を覚えるべきだ i'm calling out from scatland 僕はスキャットランドから声をあげる i'm calling out from scatman's world 僕はスキャットマンワールドから呼んでるんだ if you wanna break free you better listen to me もしも君が自由になりたいのなら僕の声を聞いてくれ you got to learn how to see in your fantasy 君は、君の中の空想の見方を覚えるべきだ everybody's talkin' something beryshockin' just to 皆すごくショックな噂話に興じて keep on blockin' what they're feelin' inside but 心の中の声を抑えこもうとするけど listen to me brother,you just keep on walkin' 'cause 僕の話をよく聞いてくれ君は前進し続けて欲しい you and me and sister ain't got nothin' to hide 何故なら君にも僕にも仕舞いたちにも何も隠すべきことなんかないんだよ scatman,fat man,black and white and brown man スキャットマン、太った男、白や黒や茶色の男 tell me 'bout the colour of your soul 君の魂は何色だ? if part of your solution isn't ending the pollution 汚染を撲滅することが君の持ってる問題の解決にならないのなら then i don't want to hear your stories told 僕は君の話を聞こうとは思わない i want to welcome you to scatman's world 君こそに言いたい、「スキャットマンの世界へようこそ!」 i'm calling out from scatland 僕はスキャットランドから声をあげる i'm calling out from scatman's world 僕はスキャットマンワールドから呼んでるんだ if you wanna break free you better listen to me もしも君が自由になりたいのなら僕の声を聞くといい you got to learn how to see in your fantasy 君は、君の中の空想の見方を覚えるべきだ everybody's born to compete as he chooses 誰もがこの競争社会に生まれてくるけど but how can someone win if winning means that someone loses 敗者を生むのなら勝者なんて誰もいない i sit and see and wonder what it's like to be in touch 僕はこうして座って戸惑いながら心に触れるとはどういうことか考えるけど no wonder all my brothers and my sisters need a crutch 僕の兄弟や姉妹にも支えが必要なんだ i want to a human being not a human doing 僕は「人間でありたい」と思うけれど「人間がやってるみたい」にはなりたくないし i couldn't keep that pace up if i tried 僕はあのペースにはついていけない the source of my intention really isn't crime prevention 僕のしたいことは危機回避じゃなくて my intention is prevention of the lie 僕のしたいことは「嘘をつかないこと」なんだ (yeah)welcome to the scatman's world (そうだ)「スキャットマンの世界へようこそ!」

    • War and Natural Gas: The Israeli Invasion and Gaza’s Offshore Gas Fields - Part 1
      “ israeli defence authorities want the palestinians to be paid in goods and services and insist that no money go to the hamas-controlled government .” (ibid, emphasis added) the objective was essentially to nullify the contract signed in 1999 between the bg group and the palestinian authority under yasser arafat. under the proposed 2007 agreement with bg, palestinian gas from gaza’s offshore wells was to be channeled by an undersea p

    • Kane
      when we wonder about whether agents have freedom of will (rather than merely freedom of action), what interests us is not merely whether they could have done otherwhise, even if the doing otherwise is undetermined, but whether they could have done otherwise voluntarily (or willingly ), intentionally , and rationally . […] (voluntarily means here in accordance with one's will; intentionally means knowingly and on purpose; and rationally, means having good reasons for acting and acting for those reasons.) (p. 128) free will seems to require that if we acted voluntarily, intentionally, and rationally, we could also have done otherwise voluntarily, intentionally, and rationally. (p. 129) 意図や合理性という概念がこれほど強い主張をすんなり容認するかどうかはかなり疑わしいように思われるのだけれども、この本でのケインの簡潔な論述を見ただけではまだよく分からない

    • Spiritual Amnesia 霊的な物忘れ症候群  Crazy Love by Francis Chan より
      there is an epidemic of spiritual amnesia going around, and none of us is immune. no matter how many fascinating details we learn about god s creation, no matter how many pictures we see of his galaxies, and no matter how many sunsets we watch, we still forget.

    • Messiah part 3
      ~day 10 - after tears~ takuto makes scratch ten. 'the worst awakening. i noticed i had been crying in my sleep when i rose from the bed.' takuto: ryouta...--- 'i was seen by ryouta. haishima violating me in that way.' takuto: *sobbing* 'the death of my parents crossed my mind and tears overflowed again. torn bodies. scattered blood. and the black mantle that waved in the snow--' takuto: why? *sobbing* 'it was not possible to cling to ryouta no matter how painful i feel. ryouta might surely despise me this time.' 'my tears did not stop. i was thinking that my mind was broken and it wasn't necessary to think about it.' *knocking* veronica: takuto-sama's food is prepared. 'it was veronica's voice. it was time for dinner already.' takuto: ...don't need it. veronica: you did not eat breakfast either. the way things are going, it is bad for your body. takuto (yelling): i said i don't need it! veronica: ... takuto: ah... 'after i shouted, i regretted it intensely.' veronica: i must be going. takuto: veronica...! *sheets rustling* 'springing to my feet, i ran from the bed to the door.' *door opening* takuto: veronica...? 'however, veronica wasn't there any longer. only the dim, quiet passage existed.' takuto: i...am the worst guy on earth. veronica has nothing to do with it... 'i collapses there. tears flowed again.' day 11 - loss takuto makes scratch eleven. 'i was not able to leave my room. meeting someone---i was scared to go out of my room to meet ryouta or haishima. veronica had brought breakfast even though i had snarled yesterday. veronica only narrowed her eyes in my apology. i was not able to eat bread and scrambled eggs any longer and instead asked for water, juice, tea and fruit. i was awfully thirsty.' takuto: (ryouta...) 'i understood it was useless even if i shut myself in my room. while haishima is here, ryouta has the possibility to use violence again.' 'i thought so while peeling off the skin of the apple veronica brought.' takuto: did haishima really kill papa and mama? 'i desperately tried to forgetthe spectable that i'd seen at that time. ' takuto: (will ryouta come for dinner tonight?) 'i put the fruits knife on the cart.' (black screen) 'it was time for dinner and veronica came. i hesitated as i went out of the room.' (dining room - night) ryouta (wide-eyed): takuto... i enter the dining room. no one spoke since then. ryouta and i stood in heavy silence for a while. i wanted to run away form this place. though i had to speak. i only wanted ryouta to understand me. takuto: ryouta...that...the night before... 'i trembled as soon as i opened my mouth.' ryouta: ... takuto: ...sorry. ryouta: ...!? 'ryouta sucked in a breath. and his expression changed to a bad mood.' takuto: ...ryouta? ryouta: why are you apologizing? takuto: ...at that time... ryouta: at that time? because i saw what you were doing...is that the reason you're apologizing? takuto: ryouta!? ryouta: you apologize with what!? in the apology, my desire for takuto was overlooked? takuto: ...!? ryouta: am i wrong, takuto? takuto: ryouta!? ryouta (angry): did you not resist at all?! takuto: ...!? 'my legs began to tremble.' ryouta pouts ryouta: i envy that fellow... takuto: ...eh? ryouta: ...because with takuto, it is possible to do those kind of things. *heartbeat / red* takuto: ryouta....? 'i felt dizzy. i did not want to believe what i heard now.' ryouta: is it useless between takuto and me? *heartbeat / red* takuto: ...---!? 'i wanted to shut ryouta's mouth.' ryouta: for instance, holding me in your mouth... takuto (sad): ...!!?? *heartbeat / red* ryouta: is it too impossible for me? you do it only to him. *heartbeat / red and glass shatters*

    • It adheres to the tuna, the whale, and the dolphin report and a Japanese real intention.
      the japanese agrees with the thing not supplied for years of the tuna of several in no small way. tuna's demand has risen explosively because of the thing that rotation hisashi [shini] appears for the family who eats and can enjoy the one that was [senai] [taka] class ingredient comparatively at a low price if [tagui] of trolleys other than tuna's lean, medium fatty tunas, large trolleys, and the becoming empty bodies doesn't originally go to the sushi shop in the specialty store in japan. moreover, the tout as the enterprise competition has accelerated the indiscriminate fishing of more and more tunas in a lot of rotation hisashi [shi] chains' having stood close together by ..beginning to heat up.. thing to go to tuna's dismantlement show in the store. originally..tuna..dismantlement..partially..fish market..sort..partially..thing..show..make..thing..life..get..say..solemn..shade of meaning..lose..have..simple..delicious..thing..eat..hungry demon..road..voluntarily..go.the condition of not supplying it to rotation hisashi [shi] chain is a thing that i would like you to permit supplying if it puts it if it is a supply in the sushi shop that is the sushi specialty store if permitted.

    • NEF講演会サマリー(09年6月20日)
      that is what we started here in iowa, and that is the message we can now carry to n

    • ケネス・ウォルツの国際政治理論 (3)
      since the variety of actors and the variations in their actions are not matched by the variety of outcomes, we know that systemic causes are in play. (p. 69) 差異の認識・判断自体が社会的に構築されたものなんだから、こういう「差異」の客観的実在について何も疑問視しない言い回しにはどうもついていけないなあ

    • U.S. President Obama's Islam policy
      u.s. president obama's islam policy


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