- Chile miners consider future after epic rescue
The 33 rescued Chilean miners pondered their futures on Friday as they began to leave hospital and adjust to new lives in the media glare after 69 days trapped deep inside a gold and copper mine.The first three of the group left hospital on Thursday under high security in a government vehicle that was chased by a mob of photographers after medics determined they were well enough to go home. 33は、彼らが病院を残して、金、銅mine.Theグループの最初の3つの奥深くに閉じ込められた69日後にメディアをにらみ付けるの新しい生活に慣れる始めたの高いセキュリティの下で木曜日に退院チリ鉱山労働者は金曜日に自分の将来を考えた救出された政府の車両は写真家の暴徒に追わの医者が、彼らも家に帰るのに十分なされた決定後
- Daily Star publishes another fake story
My eyes often pop when I read the Daily Star. And they certainly did this morning when I saw this front page. Could it be true? The Chilean mine to be a theme park? I noted the claim that it was an initiative by the Chilean Tourist Board and moved on, surprised that the story had not emerged during my extensive watching of the BBC, Sky News and CNN.But the website Tabloid Watch, ever vigilant, did not move on. It traced the source of the Star's exclusive to a site called... wait for it... The Spoof. The Star splash is simply a lift from an item on The Spoof, headlined Chile miner site to be turned into a theme park.But the Star (prop: Richard Desmond) missed a real scoop from that spoof piece. It claimed a Chilean miner diet book was being prepared so that obese people could lose enough weight to take trips down the mine shaft via the Pegasus 2 capsule (that should be Phoenix 2, or even Fenix 2, but it is a spoof after all).Daily StarRichard DesmondExpress NewspapersNational newspapersNewspapersChileRoy Greensladeguardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds
私の目は、しばしば私はデイリースターを読むときに開く
- Painting the pit men: writers must dig for the real Chilean miners
The Chilean miners' story is sure to be turned into a film. But – as I discovered writing my play about Britain's biggest mining disaster – the real-life voices of the characters are what matterDaniel Bye wrote recently about the satisfaction of hearing his native Middlesbrough accent in a stage play. He made the point that authenticity is essential if a dramatist is to create an accurate picture of our lives, past and present. I agree. My play Senghenydd tells the story of Britain's biggest mining disaster, the 98th anniversary of which falls today. The explosion in the South Wales pit killed 440 men and boys, 23 aged between 14 and 16 (one of the fatalities was a rescuer). The cause, as with the Chilean miners, was a lack of adequate safety procedures. As a piece of social history, the story of corporate greed, exploitation, heroism and the way in which a community can pull together is as relevant today as it was a century ago.The heroism is awe-inspiring. With hand-held fire extinguishers, no breathing apparatus for three hours and no water supply below ground, the Senghenydd rescuers worked in visibility of a few inches and almost unbearable temperatures. They brought up 489 men and boys (there were nearly a thousand men below ground when the explosion went off); the rest were trapped behind a wall of fire. Miraculously, 18 men were rescued from beyond the flames. They included a distant cousin of mine, Joe Evans, who was aged 19 at the time – a fact that I discovered by chance in a conversation with my great-uncle over two decades ago. It was a piece of family and social history about which I knew nothing.Drama can tell us our history through the eyes of the best witnesses, the people who lived it. So before I started writing I went in search of their voices. I se チリ鉱夫の話は映画になっているはずです
- They're all out! Chilean miners rescued
The last of the Chilean miners, the foreman who held them together when they were feared lost, has been raised from the depths of the earth - a joyous ending to a 69-day ordeal that riveted the world. No one has ever been trapped... チリ鉱山労働者、一緒に彼らが失わ恐れられていたときにそれらを保。監督の最後の地の底から32640 - 世界をリベット69日試練に終わる喜びは
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